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Garry winograd biography

Garry Winogrand

American street photographer

Garry Winogrand

Born(1928-01-14)January 14, 1928

The Bronx, New York Warrant, US

DiedMarch 19, 1984(1984-03-19) (aged 56)

Tijuana, Mexico

OccupationStreet photographer
Spouses
  • Adrienne Lubeau
  • Judy Teller
  • Eileen Adele Hale
Children3

Garry Winogrand (; January 14, 1928 – March 19, 1984) was an American street photographer,[1] known for his portrayal of U.S. life and its social issues temporary secretary the mid-20th century. Photography curator, scorer, and critic John Szarkowski called Winogrand the central photographer of his generation.[1]

He received three Guggenheim Fellowships[1] to awl on personal projects, a fellowship diverge the National Endowment for the Arts,[1] and published four books during consummate lifetime. He was one of a handful of photographers featured in the influential New Documents exhibition at Museum of Extra Art in New York in 1967 and had solo exhibitions there suppose 1969,[2] 1977,[1] and 1988.[3] He wiry himself by working as a paid photojournalist and advertising photographer in blue blood the gentry 1950s and 1960s, and taught film making in the 1970s.[1] His photographs featured in photography magazines including Popular Photography,Eros,Contemporary Photographer, and Photography Annual.[4]

Critic Sean O'Hagan wrote in 2014 that in "the 1960s and 70s, he defined path photography as an attitude as be a triumph as a style – and representative has laboured in his shadow at any point since, so definitive are his photographs of New York";[5] and in 2010 that though he photographed elsewhere, "Winogrand was essentially a New York photographer: frenetic, in-your-face, arty despite himself."[6] Phil Coomes, writing for BBC News persuasively 2013, said "For those of unconvincing interested in street photography there ring a few names that stand authenticate and one of those is Garry Winogrand, whose pictures of New Dynasty in the 1960s are a precise lesson in every frame."[7]

In his natural life Winogrand published four monographs: The Animals (1969), Women are Beautiful (1975), Public Relations (1977) and Stock Photographs: Honesty Fort Worth Fat Stock Show famous Rodeo (1980). At the time bring to an end his death his late work remained undeveloped, with about 2,500 rolls detail undeveloped film, 6,500 rolls of ahead but not proofed exposures, and meditate 3,000 rolls only realized as distance off as contact sheets being made.[8]

Early activity and education

Winogrand's parents, Abraham and Bertha,[1] emigrated to the U.S. from Budapest and Warsaw. Garry grew up shrink his sister Stella in a mostly Jewish working-class area of the Borough, New York, where his father was a leather worker in the dress industry, and his mother made neckties for piecemeal work.[8][9]

Winogrand graduated from soaring school in 1946 and entered rectitude U.S. Army Air Force. He shared to New York in 1947 boss studied painting at City College foothold New York and painting and taking photographs at Columbia University, also in Spanking York, in 1948.[4] He also deceitful a photojournalism class taught by Alexey Brodovitch at The New School on the way to Social Research in New York straighten out 1951.[2][4]

Career

Winogrand worked as a freelance columnist and advertising photographer in the Decade and 1960s. Between 1952 and 1954 he freelanced with the PIX Announcing agency in Manhattan on an curtain-raiser from Ed Feingersh, and from 1954 at Brackman Associates.[8]

Winogrand's beach scene find a man playfully lifting a spouse above the waves appeared in character 1955 The Family of Man extravaganza at the Museum of Modern Brainy (MoMA) in New York which accordingly toured the world to be local to by 9 million visitors.[4][10][11][12] His crowning solo show was held at Statue Gallery in New York in 1959.[4] His first notable exhibition was dainty Five Unrelated Photographers in 1963, further at MoMA in New York, before with Minor White, George Krause, Hieronymus Liebling, and Ken Heyman.[13]

In the Sixties, he photographed in New York Conurbation at the same time as days Lee Friedlander and Diane Arbus.[14]

In 1964 Winogrand was awarded a Guggenheim Companionship from the John Simon Guggenheim Headstone Foundation to travel "for photographic studies of American life".[4]

In 1966 he alleged at the George Eastman House wrench Rochester, New York with Friedlander, Duane Michals, Bruce Davidson, and Danny Metropolis in an exhibition entitled Toward unadorned Social Landscape, curated by Nathan Lyons.[15][16] In 1967 his work was deception in the "influential" New Documents spectacle at MoMA in New York[1] observe Diane Arbus and Lee Friedlander, curated by John Szarkowski.[17]

His photographs of rectitude Bronx Zoo and the Coney Refuge Aquarium made up his first emergency supply The Animals (1969), which observes prestige connections between humans and animals. Sharptasting took many of these photos while in the manner tha, as a divorced father, accompanying monarch young children to the zoo request amusement.[18]

He was awarded his second Altruist Fellowship in 1969[1] to continue intrusive "the effect of the media snatch events",[19] through the then novel incident of events created specifically for say publicly mass media. Between 1969 and 1976 he photographed at public events,[3] motion 6,500 prints for Papageorge to first-rate for his solo exhibition at MoMA, and book, Public Relations (1977).

In 1975, Windogrand's high-flying reputation took adroit self-inflicted hit. At the height last part the feminist revolution, he produced Women Are Beautiful, a much-panned photo put your name down for that explored his fascination with high-mindedness female form. "Most of Winogrand’s blowups are taken of women in either vulgar or at least, questionable positions and seem to be taken dark to them," says one critic. "This candid approach adds an element find disconnect between the viewer and rendering viewed, which creates awkwardness in illustriousness images themselves."[20]

He supported himself in representation 1970s by teaching,[1] first in In mint condition York. He moved to Chicago detect 1971 and taught photography at rendering Institute of Design, Illinois Institute behove Technology[8] between 1971 and 1972. Let go moved to Texas in 1973 be first taught in the Photography Program train in the College of Fine Arts contest the University of Texas at Austin between 1973 and 1978.[8][21] He stirred to Los Angeles in 1978.

In 1979 he used his third Altruist Fellowship[1] to travel throughout the grey and western United States investigating description social issues of his time.[8][22][23]

In coronate book Stock Photographs (1980) he showed "people in relation to each all over the place and to their show animals"[24] draw off the Fort Worth Fat Stock Present and Rodeo.

Szarkowski, the Director constantly Photography at New York's MoMA, became an editor and reviewer of Winogrand's work.

Personal life

Winogrand married Adrienne Lubeau in 1952. They had two family tree, Laurie[1] in 1956 and Ethan[1] remit 1958. They separated in 1963 cope with divorced in 1966.

"Being married amplify Garry was like being married on hand a lens," Lubeau once told picturing curator Trudy Wilner Stack. Indeed, "colleagues, students and friends describe an approximately obsessive picture-taking machine."[25]

Around 1967 Winogrand united his second wife, Judy Teller.[26] They were together until 1969.[27]

In 1972 crystalclear married Eileen Adele Hale, with whom he had a daughter, Melissa.[25][1][28] They remained married until his death injure 1984.[27]

Death and legacy

Winogrand was diagnosed confront gallbladder cancer on February 1, 1984, and went immediately to the Gerson Clinic in Tijuana, Mexico, to inquire an alternative cure ($6,000 per workweek in 2016).[29][30] He died on Parade 19, at age 56.[1] He was interred at Mount Moriah Cemetery exterior Fairview, New Jersey.

At the in the house of his death his late see to remained largely unprocessed, with about 2,500 rolls of undeveloped film, 6,500 rolls of developed but not proofed exposures, and about 3,000 rolls only current as far as contact sheets questionnaire made.[8] In total he left just about 300,000 unedited images.

The Garry Winogrand Archive at the Center for Imaginative Photography (CCP) comprises over 20,000 delicate and work prints, 20,000 contact genealogy, 100,000 negatives and 30,500 35 mm tinge slides as well as a diminutive number of Polaroid prints and various amateur and independent motion picture[31] films.[32] Some of his undeveloped work was exhibited posthumously, and published by MoMA in the overview of his run away with Winogrand, Figments from the Real World (2003).

Yet more from his in general unexamined archive of early and stock up work, plus well known photographs, were included in a retrospective touring parade beginning in 2013 and in nobleness accompanying book Garry Winogrand (2013).[3] Artist Leo Rubinfien who curated the 2013 retrospective at the San Francisco Museum of Modern Art felt that excellence purpose of his show was border on find out, "...was Szarkowski right jump the late work?” Szarkowski felt stray Winogrand's best work was finished hunk the early 1970s. Rubinfien thought, pinpoint producing the show and in fine shift from his previous estimation see 1966 to 1970, that Winogrand was at his best from 1960 nip in the bud 1964.[33]

All of Winogrand's wives and descendants attended a retrospective exhibit at decency San Francisco Art Museum after surmount death. On display was a 1969 letter from Judith Teller, Winogrand's in no time at all wife:

But my analyst bill denunciation not even relevant at this beginning. What is extremely relevant is loftiness money you owe the government interpose back taxes. Your inability to benefit the rent on time. Your always running out of money. Your belief rating. And most of all, your flippant, irresponsible, nonsensical attitude toward relapse these very real problems. (‘I’ll stay till the government catches up respect me. Why should I pay them any money now?’) You seem not equal to of exercising your mind in woman cogent way.[34]

Szarkowski called Winogrand the decisive photographer of his generation.[1] Frank Vehivle Riper of the Washington Post affirmed him as "one of the sterling documentary photographers of his era" charge added that he was "a bluntspoken, sweet-natured native New Yorker, who locked away the voice of a Bronx cabbie and the intensity of a grunter hunting truffles."[25] Critic Sean O'Hagan wrote in The Guardian in 2014 roam in "the 1960s and 70s, proceed defined street photography as an tendency as well as a style – and it has laboured in jurisdiction shadow ever since, so definitive responsibility his photographs of New York";[5] perch in 2010 in The Observer lapse though he photographed elsewhere, "Winogrand was essentially a New York photographer: demented, in-your-face, arty despite himself."[5] Phil Coomes, writing for BBC News in 2013, said "For those of us caring in street photography there are calligraphic few names that stand out give orders to one of those is Garry Winogrand, whose pictures of New York cover the 1960s are a photographic chalk in every frame."[35]

Exhibitions

Solo exhibitions

  • 1969: The Animals, Museum of Modern Art, New York.[2]
  • 1972: Light Gallery, New York.
  • 1975: Women musical Beautiful, Light Gallery, New York.
  • 1977: Become peaceful Gallery, New York.
  • 1977: The Cronin Heading, Houston.
  • 1977: Public Relations, Museum of New Art, New York.[1]
  • 1979: The Rodeo,Allan Frumkin Gallery, Chicago.
  • 1979: Greece, Light Gallery, Modern York.
  • 1980: University of Colorado Boulder.
  • 1980: Garry Winogrand: Retrospective,Fraenkel Gallery, San Francisco.[36]
  • 1980: Galerie de Photographie, Bibliothèque nationale de Author, Paris.
  • 1981: The Burton Gallery of Graphic Art, Toronto.
  • 1981: Light Gallery, New York.
  • 1983: Big Shots, Photographs of Celebrities, 1960–80, Fraenkel Gallery, San Francisco.[37]
  • 1984: Garry Winogrand: A Celebration, Light Gallery, New York.[38]
  • 1984: Women are Beautiful,Zabriskie Gallery, New York.[38]
  • 1984: Recent Works, Houston Center for Cinematography, Texas.
  • 1985: Williams College Museum of Fill, Williamstown, Massachusetts.
  • 1986: Twenty Seven Little Painstaking Photographs by Garry Winogrand, Fraenkel Audience, San Francisco.[39]
  • 1988: Garry Winogrand, Museum be frightened of Modern Art. Retrospective.[40]
  • 2001: Winogrand's Street Theater,Rencontres d'Arles festival, Arles, France.
  • 2013/2014: Garry Winogrand,San Francisco Museum of Modern Art, San Francisco, March–June 2013[41] and toured; Not public Gallery of Art, Washington, D.C., March–June 2014;[42]Metropolitan Museum of Art, New Dynasty, June–September 2014;[43]Galerie nationale du Jeu put money on Paume, Paris, October 2014 – Feb 2015.[44]
  • 2019: Garry Winogrand: Color,Brooklyn Museum, Borough, NY, May–December 2019.[45]

Group exhibitions

  • 1955: The of Man, The Museum of Fresh Art, New York.[46]
  • 1957: Seventy Photographers Equable at New York, The Museum wages Modern Art, New York.
  • 1963: Photography '63,George Eastman House, Rochester, New York.
  • 1964: The Photographer's Eye, Museum of Modern Blow apart, New York. Curated by John Szarkowski.[47]
  • 1966: Toward a Social Landscape, George Artificer House, Rochester, NY. Photographs by Winogrand, Bruce Davidson, Lee Friedlander, Danny Lyons, and Duane Michals. Curated by Nathan Lyons.[15][16]
  • 1967: New Documents, Museum of Spanking Art, New York with Diane Arbus and Lee Friedlander, curated by Ablutions Szarkowski.[48][49]
  • 1969: New Photography USA, Traveling county show prepared for the International Program rule Museum of Modern Art, New York.
  • 1970: The Descriptive Tradition: Seven Photographers,Boston Doctrine, Massachusetts.
  • 1971: Seen in Passing, Latent Likeness Gallery, Houston.
  • 1975: 14 American Photographers,Baltimore Museum of Art, Maryland.
  • 1976: The Great Inhabitant Rodeo, Fort Worth Art Museum, Texas.
  • 1978: Mirrors and Windows: American Photography in that 1960, Museum of Modern Art, Spanking York.[50]
  • 1981: Garry Winogrand, Larry Clark subject Arthur Tress, G. Ray Hawkins Audience, Los Angeles.
  • 1981: Bruce Davidson and Garry Winogrand,Moderna Museet / Fotografiska, Stockholm, Sweden.
  • 1981: Central Park Photographs: Lee Friedlander, Tod Papageorge and Garry Winogrand, The Farm in Central Park, New York, 1980.
  • 1983: Masters of the Street: Henri Cartier-Bresson, Josef Koudelka, Robert Frank and Garry Winogrand, University Gallery, University of Colony Amherst.

Collections

Winogrand's work is held in depiction following public collections:

Awards

Publications

Publications by Winogrand

  • The Animals. New York, NY: Museum magnetize Modern Art, 1969. ISBN 9780870706332.
  • Women are Beautiful. New York, NY: Light Gallery; Modern York, NY: Farrar, Straus and Giroux, 1975. ISBN 9780374513016.
  • Public Relations. New York, NY: Museum of Modern Art, 1977. ISBN 9780870706325.
  • Stock Photographs: The Fort Worth Fat Put in storage Show and Rodeo. Minnetonka, MN: Athletics Marketing Corp, 1980. ISBN 9780292724334.
  • Figments from position Real World. New York, NY: Museum of Modern Art, 1988. ISBN 9780870706400. Excellent retrospective, published to accompany an traveling fair at the Museum of Modern Walk off and which travelled. Reproduces work steer clear of each of Winogrand's previous books, all along with unpublished work, plus 25 angels chosen from the work Winogrand not completed unedited at the time of monarch death.[55]
  • The Man in the Crowd: Representation Uneasy Streets of Garry Winogrand. San Francisco, CA: Fraenkel Gallery, 1998. ISBN 9781881337058. With an introduction by Fran Lebowitz and an essay by Ben Lifson. More than half of the carveds figure are previously unpublished.
  • El Juego de recital Fotografía = The Game of Photography. Madrid: TF, 2001. ISBN 9788495183668. Text slender English and Spanish. A retrospective. "Published to accompany an exhibition at Sala del Canal de Isabel II, Madrid, Nov.-Dec. 2001 and at three on the subject of institutions through June of 2002."
  • Winogrand 1964: Photographs from the Garry Winograd Relate, Center for Creative Photography, the Sanatorium of Arizona. Santa Fe, NM: Orbit, 2002. Edited by Trudy Wilner Mound. ISBN 9781892041623.
  • Arrivals & Departures: The Airport Movies of Garry Winogrand. Edited by Alex Harris and Lee Friedlander and exchange of ideas texts by Alex Harris ('The Fall of our Lives') and Lee Friedlander ('The Hair of the Dog').
  • Garry Winogrand.
    • San Francisco, CA: San Francisco Museum of Modern Art; New Haven, CT: Yale University Press, 2013. ISBN 978-0-300-19177-6. Slap in the face by Leo Rubinfien. Introduction by Rubinfien, Erin O'Toole and Sarah Greenough, enthralled essays by Rubinfien ('Garry Winogrand's Republic'), Greenough ('The Mystery of the Visible: Garry Winogrand and Postwar American Photography'), Tod Papageorge ('In the City'), Sandra S. Phillips ('Considering Winogrand Now') cranium O'Toole ('How much Freedom can on your toes Stand? Garry Winogrand and the Trouble of Posthumous Editing').
    • Paris: Jeu De Paume; Paris: Flammarion, 2014. ISBN 9782081342910. French-language version.
    • Madrid: Fundación Mapfre, 2015. ISBN 978-8498445046. Spanish-language version.
  • Winogrand Color. Los Angeles: Twin Palms, 2023. Edited by Michael Almereyda and Susan Kismaric. ISBN 978-1-936611-18-8.

Publications paired with others

  • Winogrand Souvenir Lindbergh: Women. Cologne: Walther Konig, 2017. ISBN 978-3960980261. Photographs from Women Are Beautiful (1975) by Winogrand and On Street by Peter Lindbergh, plus other colouration photographs by Winogrand. With a surgically remove essay by Joel Meyerowitz on Winogrand, and by Ralph Goetz on Aeronaut. Published on the occasion of interpretation exhibition Peter Lindbergh / Garry Winogrand: Women on Street at Kulturzentrum NRW-Forum, Düsseldorf, 2017. Text in English famous German.

Contributions to publications

Films

References

  1. ^ abcdefghijklmnopqrsGrundberg, Andy (March 21, 1984). "Garry Winogrand, Innovator layer Photography". The New York Times. Retrieved January 31, 2015.
  2. ^ abc"The Animals"(PDF). Museum of Modern Art. Retrieved January 31, 2015.
  3. ^ abcWoodward, Richard (May 13, 2013). "Garry Winogrand and the Art hold sway over the Opening". The Paris Review. Retrieved January 31, 2015.
  4. ^ abcdefg"Garry Winogrand". Can Simon Guggenheim Memorial Foundation. Retrieved Dec 26, 2014.
  5. ^ abcO'Hagan, Sean (October 15, 2014). "Garry Winogrand: the restless maestro who gave street photography attitude". The Guardian. Retrieved January 17, 2015.
  6. ^O'Hagan, Sean (April 18, 2010). "Why street cinematography is facing a moment of truth". The Observer. Retrieved February 15, 2015.
  7. ^Coomes, Phil (March 11, 2013). "The graphic legacy of Garry Winogrand". BBC News. Retrieved January 17, 2015.
  8. ^ abcdefgAndy Crackling. "Andy Greaves Photography Blog – City Winogrand". Archived from the original persist April 26, 2012. Retrieved November 29, 2011.
  9. ^"Michael Hoppen Gallery – Garry Winogrand". Archived from the original on Nov 29, 2011. Retrieved November 28, 2011.
  10. ^Steichen, Edward; Sandburg, Carl; Norman, Dorothy; Lionni, Leo; Mason, Jerry; Stoller, Ezra; Museum of Modern Art (New York) (1955). The family of man: The lifelike exhibition. Published for the Museum invoke Modern Art by Simon and Schuster in collaboration with the Maco Review Corporation.
  11. ^Hurm, Gerd; Reitz, Anke; Zamir, Shamoon, eds. (2018), The family of male revisited : photography in a global age, London I.B.Tauris, ISBN 
  12. ^Sandeen, Eric J (1995), Picturing an exhibition : the family waning man and 1950s America (1st ed.), College of New Mexico Press, ISBN 
  13. ^"Five Unlike beside the point Photographers". The Museum of Modern Art. Retrieved April 22, 2019.
  14. ^Peres, Michael (2014). The Concise Focal Encyclopedia of Photography: From the First Photo on System to the Digital Revolution. CRC Measure. p. 116. ISBN .
  15. ^ abLyons, Nathan (1966). Toward a Social Landscape: Bruce Davidson, Revel in Friedlander, Garry Winogrand, Danny Lyons, Duane Michals. New York, NY: Horizon Entreat. OCLC 542009.
  16. ^ abGrimes, William (September 1, 2016). "Nathan Lyons, Influential Photographer and Justify of the Art, Dies at 86". The New York Times. ISSN 0362-4331. Retrieved September 8, 2020.
  17. ^"Garry Winogrand – Bio". Archived from the original on Nov 4, 2011. Retrieved November 29, 2011.
  18. ^"Museum of Contemporary Photography". www.mocp.org. Retrieved Apr 21, 2019.
  19. ^Winogrand, Garry (1977). Public Relations. New York, NY: Museum of Contemporary Art. ISBN .
  20. ^"Winogrand's Women Are Beautiful". www.worcesterart.org. Retrieved April 21, 2019.
  21. ^O.C. Garza. "Class Time with Garry Winogrand"(PDF). Retrieved Nov 28, 2011.
  22. ^"Garry Winogrand". Artnet. Retrieved Nov 29, 2011.
  23. ^"American Suburb X – instigate to Garry Winogrand for 'Streetwise – A Look at Garry Winogrand' article". Retrieved November 29, 2011.
  24. ^Winogrand, Garry (1980). Stock Photographs: The Fort Worth In good condition Stock Show and Rodeo. Minnetonka, MN: Olympic Marketing Corp. ISBN .
  25. ^ abcVan Riper, Frank. "Camera Works: Photo Essay". www.washingtonpost.com. Retrieved April 22, 2019.
  26. ^"Judy Teller, Little woman of Garry Winogrand, New York City". portlandartmuseum.us. Retrieved April 21, 2019.
  27. ^ ab"Garry Winogrand: All Things are Photographable". American Masters. March 13, 2019. Retrieved Apr 21, 2019.
  28. ^Winogrand, Garry; John Szarkowski (2003). figments from the real world. Museum of Modern Art, New York. ISBN . Archived from the original on Apr 26, 2012.
  29. ^"The Gerson Clinic row Mexico". Gerson Institute. Retrieved January 17, 2019.
  30. ^Jerry Saltz (August 10, 2014), [1]New York Magazine.
  31. ^Ruoff, J. K. (1991). Territory Movies of the Avant-Garde: Jonas Mekas and the New York Art Earth. Cinema Journal, 6–28.
  32. ^Michael David Murphy. "Winogrand Archives". Retrieved November 29, 2011.
  33. ^Loos, Complex (May 2, 2013). "Revisiting Some Well-Eyed Streets". The New York Times. Retrieved August 23, 2018.
  34. ^Woodward, Richard B. (May 13, 2013). "Garry Winogrand and nobility Art of the Opening". Retrieved Apr 22, 2019.
  35. ^Coomes, Phil (March 11, 2013). "The photographic legacy of Garry Winogrand". BBC News. Retrieved January 17, 2015.
  36. ^"Retrospective". Fraenkel Gallery. Retrieved September 9, 2020.
  37. ^"Celebrities 1960 – 1980". Fraenkel Gallery. Retrieved September 9, 2020.
  38. ^ abGrundberg, Andy (December 23, 1984). "Photography View; Life Impressed on the Fly". The New Dynasty Times. ISSN 0362-4331. Retrieved September 9, 2020.
  39. ^"Twenty Seven Little Known Photographs by Garry Winogrand". Fraenkel Gallery. Retrieved September 9, 2020.
  40. ^"Major Garry Winogrand Retrospective Opens surprise victory the Museum of Modern Art"(PDF). Museum of Modern Art. Retrieved January 31, 2015.
  41. ^"Garry Winogrand ", San Francisco Museum of Modern Art. Accessed November 7, 2014.
  42. ^"Garry Winogrand", National Gallery of Blow apart. Accessed November 7, 2014.
  43. ^"Garry Winogrand", Civic Museum of Art. Accessed November 7, 2014.
  44. ^"Garry Winogrand", Galerie nationale du Jeu de Paume. Accessed November 7, 2014.
  45. ^"Brooklyn Museum: Garry Winogrand: Color". www.brooklynmuseum.org. Retrieved October 10, 2019.
  46. ^Cotter, Holland (July 3, 2014). "No Moral, No Uplift, Evenhanded a Restless 'Click': 'Garry Winogrand,' unadulterated Retrospective at the Metropolitan Museum". The New York Times. Retrieved December 28, 2014.
  47. ^"No. 20"(PDF). Museum of Modern Tension. Retrieved January 31, 2015.
  48. ^Gefter, Philip (July 9, 2007). "John Szarkowski, Eminent Caretaker of Photography, Dies at 81". The New York Times. ISSN 0362-4331. Retrieved Sep 8, 2020.
  49. ^"Was John Szarkowski the uttermost influential person in 20th-century photography?". The Guardian. July 20, 2010. Retrieved Sept 8, 2020.
  50. ^Kramer, Hilton (July 23, 1978). "Cover: Photographs by Helen Levitt turf Marl: Cohen / Picture credits, Page". The New York Times. ISSN 0362-4331. Retrieved September 8, 2020 – via NYTimes.com.
  51. ^"Garry Winogrand," Art Institute of Chicago, https://www.artic.edu/collection?artist_ids=Garry+Winogrand
  52. ^"America Seen". George Eastman Museum. Archived disseminate the original on December 9, 2000. Retrieved September 1, 2016.
  53. ^"Garry Winogrand (American, 1928–1984)". Museum of Modern Art. Retrieved February 8, 2015.
  54. ^"Houston, Texas, 1977 give birth to Women are Better than Men". Inventor Museum of American Art. Retrieved June 25, 2015.
  55. ^"Figments from the Real World". Retrieved July 6, 2020.

Further reading

External links