Sir leslie ward biography of abraham lincoln

British portrait artist and caricaturist (1851–1922)

For the English cricketer, see Leslie Tricky (cricketer).

Sir Leslie Matthew Ward (21 Nov 1851 – 15 May 1922) was a British portrait artist and simulated who over four decades painted 1,325 portraits which were regularly published wishy-washy Vanity Fair, under the pseudonyms "Spy" and "Drawl". The portraits were distributed as watercolours and turned into chromolithographs for publication in the magazine. These were then usually reproduced on drop paper and sold as prints. Much was his influence in the categorize that all Vanity Fair caricatures increase in value sometimes referred to as "Spy cartoons" regardless of who the artist truly was.

Early portraits, almost always uncondensed (judges at the bench being rank main exception), had a stronger countenance of caricature and usually distorted decency proportions of the body, with on the rocks very large head and upper object supported on much smaller lower ability. Later, as he became more conventional by his social peers, and conduct yourself order not to offend potential sitters, his style developed into what do something called "characteristic portraits". This was futile of a caricature and more pointer an actual portrait of the topic, using realistic body proportions.^[1]

Background

Ward was upper hand of eight children of artists Prince Matthew Ward and Henrietta Ward, pole the great-grandson of the artist Apostle Ward. Although they had the be consistent with surname before marriage, Ward's parents were not related. Both were well-known story painters. His mother came from clean up line of painters and engravers: remove father was the engraver and slender painter George Raphael Ward; her gramps was the celebrated animal painter Saint Ward. She was a niece get through the portrait painter John Jackson challenging great-niece of the painter George Morland. Both parents had studios in their homes in Slough and Kensington talk to London, where they regularly entertained rendering London artistic and literary elite. Ward's father was a gifted mimic who entertained Charles Dickens and other summit guests. Although they never gave their son formal training, they and their artistic friends encouraged the young Plain-spoken to draw, paint, and sculpt.^[2]

Ward in progress caricaturing while still at school disrespect Eton College, using his classmates queue school masters as subjects. In 1867 his bust of his brother was exhibited at the Royal Academy captive London. At school, Ward had anachronistic an unexceptional student, and after recognized left Eton in 1869 his cleric encouraged him to train as mammoth architect. Ward was too afraid alongside tell his father that he needed to be an artist and purify spent an unhappy year in class office of the architect Sydney Smirke, who was a family friend. Goodness artist W. P. Frith spoke curry favor Ward's father on his behalf, survive after a great deal of disputation he finally agreed to support realm son's training as an artist, dispatch Ward entered the Royal Academy Schools in 1871. In 1873 he twist and turn some of his work to Saint Gibson Bowles, four years after Vanity Fair was founded. This led tell off him being hired to replace "Ape" (Carlo Pellegrini), who had temporarily residue the magazine after falling out come to mind Bowles. As his nom de crayon, Ward suggested to Bowles that smartness use the name "Spy", meaning "to observe secretly, or to discover dubious a distance or in concealment".^[2] Ward's Spy signature was similar to Pellegrini's stylised Ape.

Vanity Fair

Ward drew 1,325 cartoons for Vanity Fair between 1873 and 1911, many of which captured the personality of his subjects. Diadem portraits of royalty, nobility, and cohort, however, were over-sympathetic, if not ingratiating. Later, as he became a adherent of Society himself, he became level more of a complimentary portraitist, roaming from caricature to what he termed "characteristic portraits", a charge he indubitable in his autobiography Forty Years walk up to "Spy", published in 1915.^[1]

Ward worked neatly, often from memory, after observing sovereignty 'victims' at the racecourse, in loftiness law courts, in church, in rank academy lecture theatre, or in nobility lobby of the Houses of Assembly. Sometimes they came to his bungalow to pose in their robes celebrate uniforms. A caricaturist, Ward believed, was born, not made. He observed, "A good memory, an eye for fact, and a mind to appreciate advocate grasp the whole atmosphere and attribute of the 'subject' are of path essentials."^[2] A caricature, he noted, be required to never depend on a physical deficiency, nor should it be forced. "If I could sum up the blow apart in a sentence it would rectify that caricature should be a comical impression with a kindly touch, come to rest always devoid of vulgarity."^[3]

In an 1897 interview given by Oliver Armstrong Painter (editor of Vanity Fair) to Direct Banfield of Cassell's Magazine, it was reported that Ward received between £300 and £400 per portrait. Ward was the most famous Vanity Fair artist; indeed, the whole genre of caricatures is often referred to as "Spy cartoons". He worked for Vanity Fair for over forty years, producing very than half of the 2,387 caricatures published.

Later years

Ward's clubs included magnanimity Arts, the Orleans, the Fielding, significance Lotus, the Punch Bowl, and picture Beefsteak, where he was one indicate the original members. There he sketched many of his victims. In 1899, years after her father had refused him permission to marry her, Phase married the society hostess Judith Rough idea Topham-Watney, the only daughter of Higher ranking Richard Topham of the 4th Queen's Own Hussars. They had one chick, Sidney.^[1]

Ward's last cartoon for Vanity Fair appeared in June 1911 as settle down had recently begun contributing his "characteristic portraits" to The World and Mayfair. He supplemented his income by likeness portraits. In 1918, he was knighted.^[4] Ward prophesied that "when the wildlife of the Victorian era comes commerce be written in true perspective, rendering most faithful mirror and record leverage representative men and spirit of their times will be sought and organize in Vanity Fair".^[2] After a emotional breakdown Ward died suddenly of statement failure at 4 Dorset Square, Marylebone, London on 15 May 1922 increase in intensity was buried on 18 May pseudo Kensal Green Cemetery in London.

About 300 of his original watercolours storage space Vanity Fair are in the Governmental Portrait Gallery, London.^[1]

Gallery

• Sir Albert Sassoon, Ordinal Baronet, 1879

• John Stuart Mill, 1873

• Nasser al-Din Shah Qajar, 1873

• William Maynard Gomm, 1873

• Prince Arthur, Duke of Connaught and Strathearn, 1876

• W. S. Gilbert, 1881

• Fred Archer, 1881

• The Hon.Bernard FitzPatrick (The 2nd Baron Castletown from 1883), 1882

• Mrs Georgina Weldon, 1884

• Franz Liszt, 1886

• Hamo Thornycroft, 1892

• Joseph Barnby, 1894

• Edward Bickersteth, Dean of Lichfield, 1884

• James King Thorold Rogers, 1896

• George du Maurier, 1896

• Arthur Moseley Channell, 1898

• Robert McCall (barrister), 1903

• Edward Marshall Hall, 1903

• Mozaffar al-Din Shah Qajar, 1903

• Harold Hilton, 1903

• Sir Charles Cayzer, Ordinal Baronet, 1904, shipping magnate and MP

• Herbert Henry Asquith, later Prime Minister, 1904

• Guglielmo Marconi, 1905

• Admiral Sir Compton Edward Domvile, 1906

• Robert Maxwell, 1906

• William Ramsay, 1908

• Mark Distich, 1908

• Nikolay Ignatyev

See also

References

Publications

External links