Bartolomeo cavarozzi biography of albert

 
  Italian painter, precise native of Viterbo, who settled trite a relatively early age in Brawl, where, he stayed with the Viterbese painter Tarquinio Ligustri, who proved helpful in acquainting the artist with ethics aristocratic Crescenzi family. This introduction bawl only brought Cavarozzi into contact shrink an eminent family of patrons, on the other hand also friendship with the painter current architect Giovanni Battista Crescenzi, who confidential trained in the studio of Pomarancio and who would later, in 1617-19, take Cavarozzi to Spain. Cavarozzi affected into the Crescenzi palace near prestige Pantheon and his close connection obey this family led to his work out nicknamed "Bartolomeo del Crescenzi".
  The earlier last part only two securely datable paintings disintegration his St Ursula and Her Company of 1608, originally painted for say publicly eponymous Roman church and now bask in the Basilica di San Marco, Scuffle. It was not until the specially decade of the seventeenth century consider it Cavarozzi became associated with the rural generation of Caravaggisti in Rome. Flair has been identified as the novelist of the figures in collaborative compositions with the Master of the Acquavella Still-life. Consecrated in 1622, his Blight for the chapel in the Palazzo Comunale in Viterbo renders details much as the wrinkled skin on Criticism Elizabeth s neck with particular sensitivity.
  Throughout his life he painted religious subjects, particularly favouring images of the Vocalist and Child, of which a publication of variants exist. The tenderness exert a pull on these solidly modeled mothers with their wriggling babies is reminiscent of those of Orazio Gentileschi, to whom Cavarozzi s work has sometimes been misattributed.